Drake also opens up about Wiz Kid collaboration, Meek Mill/Ghostwriting, ‘Views From The 6′ and more in a lengthy interview with Fader. This is the first full feature interview Drake has given since February 2014’s Rolling Stone story, where he then declared he will no longer be talking to magazines.
“I was a Skepta fan, but after meeting Skepta… we were brothers immediately,” Drake says. “You don’t get that too much in this thing that we’re in, honestly. You don’t [often] meet somebody and actually feel like, ‘OK, we might actually still talk when we’re 35, 40 years old.’”
On Wiz Khalifa’s Black and Yellow
“I always used to be so envious, man, that Wiz Khalifa had that song ‘Black and Yellow,’ and it was just a song about Pittsburgh,” Drake says. “Like, the world was singing a song about Pittsburgh! And I was just so baffled, as a songwriter, at how you stumbled upon a hit record about Pittsburgh. Like, your city must be elated! They must be so proud. And I told myself, over the duration of my career, I would definitely have a song that strictly belonged to Toronto but that the world embraced. So, ‘Know Yourself’ was a big thing off my checklist.”
On Wiz Kid’s Ojuelegba Remix
“I just did it because I was in the moment,” he says. “I wasn’t thinking like, ‘Oh man, I gotta get my brand up in Nigeria.’” (He hastens to add, with classic Drake politeness, “Not to say that’s not important. I’m super-honored to be on that song.”)
On Meek Mill’s failure to respond to ‘Charged Up’ immediately
“This is a discussion about music, and no one’s putting forth any music?” he says, speaking with a furrowed brow, as if reliving his incredulity. “You guys are gonna leave this for me to do? This is how you want to play it? You guys didn’t think this through at all—nobody? You guys have high-ranking members watching over you. Nobody told you that this was a bad idea, to engage in this and not have something? You’re gonna engage in a conversation about writing music, and delivering music, with me? And not have anything to put forth on the table?”
Read the full interview here on Fader’s home page.